Paean to the Pen
Millions of words hurtle round
the globe every minute on the world wide web, but some script still travels by
aeroplane or trudges its way across oceans on ships. Lindsay Wright ponders the
art of communicating by letter.
I started
writing to my uncle again recently. Hand writing, that is. Selecting a
comfortable pen from the pottle on my desk, sitting before a blank sheet of
paper and thoughtfully transcribing my thoughts, ideas and experiences into
words.
For the
last 25 years almost all my writing has been by computer keyboard, or before
that the rattly keys of an old Remington typewriter. My uncle, who recently
turned 70, has never used a keyboard. “Computers…” he snorted, “I wouldn’t know
how to turn one on…”
There’s no
power button to push on a pen. The power comes from within. The gentle flow of
ballpoint on paper happens at a pace which matches the stream (or trickle..) of
thought between brain and fingers; a natural progression of ideas and memories
being transformed to words and communication.
Hand
writing is individual; it unfolds with unique style and can be embellished by
flourishes, curlescues and digressions from the norm. No pre-programmed set of
fonts, devised by European and North American printers, some centuries old, could
ever emulate this style but, on the other hand, the Microsoft Corporation’s
font library couldn’t be used by a hand writing expert to identify you in a
court of law either. Writing, like society at large, is becoming increasingly
bland and standardised.
I admire my
uncle’s leisurely sloping copperplate, tracing an elegant path across the page
like a messenger from an earlier age when time was abundant and people used
some of it to develop their own writing styles. “It’s just what they taught us
at school,” he shrugged. My own script is a childish higgledy-piggledy print
which I was taught as a young reporter so that other reporters could read my
copy or notes. Utilitarian - but ugly.
My uncle’s
letters abide by an etiquette that dates back beyond the early days of empire.
Dates, addresses and salutations all follow form – none of the “Hi” hail that
kicks off most e-mails these days.
Beware
though, writers cramp can be crippling if you haven’t spent time with a pen in
hand for a few years. It might even pay to do some training before launching
into a major work by hand.
Hand
writing opens up a whole new appreciation for the early authors; Shakespeare,
Lewis Carroll et al, whose work was all laboriously drawn out with a quill or
later with a metal nib, regularly dipped into an earthenware inkpot. I recall
veteran publisher, Christine Cole Catley, scoffing a few years back that “these
days everyone who owns a word processor, thinks that they’re a writer..only a
few of them are.” A mere machine, does not a writer make, it seems.
For hand
writers, there’s no clicking the “send” button to fire your words off through
the ether. The paper is carefully folded and slid into an envelope. If there’s
any immediacy required, it might involve rounding the dog up for a walk to the
nearest mail box where the letter will languish for a few hours until the next
collection. Otherwise the envelope will stay on the hall table until the next
time I’m passing by the post office.
When you
hit the “power” button on a computer and the screen flickers to life, it
engenders an immediate urgency. The cursor impatiently flashing in one corner,
the bright, expectant screen and the quickfire pace at which letters multiply
into words and sentences across it, create a tension in the user. It’s
something like the difference between walking and driving; a walker will stride
along at their own natural pace, dictated by their level of fitness and the
length of their stride. But put them behind the wheel of an automobile and they
become a homicidal maniac; determined to make the machine go as fast as it can.
But hand
writing is relaxing, recreational even. Thousands of New Zealanders turn up at calligraphy
classes throughout the country to learn the art – and art it is. Renowned
calligraphers from overseas draw big audiences on lecture tours. Derived from
ancient Greek “kallos” for beauty and
“graphe” meaning writing, Calligraphy
is catching on.
Computer
generated communications may be fast and efficient, but fine hand writing is
beautiful and a source of pride. The captain of a coastal freighter once showed
me proudly round his bridge then, with a flourish, threw the ships logbook open
to reveal pages of beautifully symmetrical flowing script which documented
every aspect of his vessels navigation. He stood back and beamed while I
boggled at it. Everything else on the ship was utilitarian and workmanlike, but
the logbook was an artwork. When that
ship was long gone to the breakers’ yard, the logbook would still be an object
of awe and admiration.
There’s no
“backspace ‘ or ‘delete” button to wipe
out embarrassing mistakes, faux pas or glitches in a hand written letter. “Twink”,
“White Out” and other concoctions that are used to paint over errors, allow a
bit of literary leeway but, short of laboriously rewriting all their work,
people have to take their time and get it right first time. Once upon a time,
the first draft was written in pencil so that errors could be erased, or
amended, before being committed to ink and passing into posterity.
Paying 50
cents for a stamp irks anyone old enough to remember when it was a tenth of
that price. Postage price rises (and another one is due…) impact particularly
on non computer users – older people who haven’t grasped the technology or
haven’t the spare money to buy the latest lap or desk top. The charities and
community organisations who mail reams of newsletters and meeting minutes out
every month, must also be feeling the postage pinch.
Maybe handwriting
belongs to a time when a carbon footprint was the smudge left behind by someone
who had walked through coal dust. Letter writers use paper and pen which are
both manufactured at considerable cost to the planet - and the fossil fuels
consumed in getting their letters to their destination can also be added to
their overall cost to the environment. But computers also squander a lot of precious
resources during their manufacture (and disposal when they become outdated) and
they also need gigawatts of electricity to keep them on line.
People laughingly
refer to “snail mail,” describing the letters that posties pedal around the
country, but in a snail and hare communications race, it may just be the snail
mail that wins in the end when environmental impact is added up and accounted
for.
Most of the
snail mail these days seems to be bills or blandishments to buy shoes or
cosmetics so it’s always a treat to find a hand written envelope in the letter
box addressed to me and not just another computer generated address label.
Letters
convey news, hope, warmth and comfort from one person to another – and are
delivered by people. They are full of words we all understand – unlike the
arcane nouns and acronyms of computerdom.
And where
else do you get to call everybody “dear?”
Ends…
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